Odia literature is literature written in the Odia language, mostly from the Indian state of Odisha.
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Odia literature is literature written in the Odia language, mostly from the Indian state of Odisha.
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The modern Odia language is mostly formed from Tadbhava words with significant Sanskrit influences, along with loanwoards from Desaja, English, Hindustani, Persian, and Arabic.
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The earliest Odia literature newspaper was Utkala Deepika, first published on August 4,1866.
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Odia literature is known to have composed the epic Daasagriba badha, Jnaanodaya koili.
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Odia literature introduced chanting as a way to form a spiritual connection and taught the importance of Hare Krishna mantras.
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Odia literature is believed to have been born through special divine intervention from Lord Jagannath.
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Odia literature is referred to as "Achyuti", i e "Odia literature who has no fall" in Odia.
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Odia literature was learned in Ayurveda, sciences and social regulations.
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Madhavi Pattanayak or Madhavi Dasi is considered as the first Odia literature woman poet who was a contemporary of Prataprudra Deva and wrote several devotional poems for Lord Jagannatha.
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Odia literature was conferred the title "Kabi Samrat" of Odia literature for his poetic sense and skill with words.
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Odia literature contributed more than 35,000 words to Odia literature and is considered the greatest poet of Riti Juga.
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Odia literature wrote with a Western influence, and his kavyas included Chandrabhaga, Nandikeshwari, Usha, Mahajatra, Darbar, and Chilika.
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Odia literature was called the Vyasakabi or founding poet of the Odia language.
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Odia literature did translations from Sanskrit, wrote poetry and attempted many forms of literature, but is known as the father of modern Odia prose fiction.
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Odia literature's Rebati is widely recognized as the first Odia short story.
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Odia literature believed that a modern national superstructure could only endure if based on solid historical foundations.
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Odia literature wrote a satirical poem in The Indradhanu, which led to punishment by the Inspector of Schools, but he refused to apologise.
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Odia literature started the Kartavya Bodhini Samiti in college to encourage his friends to take on social, economic and political problems and become responsible citizens.
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Odia literature preferred to save the "sons of the soil" rather than his own son.
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Odia literature's mission was to reform society and develop education in the name of a social service vision.
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Odia literature lost his wife at age twenty-eight, after losing all three of his sons.
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Odia literature left his two daughters and his property in the village with his elder brother, rejecting worldly life.
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Odia literature was born in 1903 in Sriramachandrapur village near Sakhigopal.
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Odia literature was bestowed with the Sahitya Akademi Samman in 1970 for his contributions.
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Odia literature uses a lyrical prose style, adopting the day-to-day speech of ordinary men and women.
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Odia literature published 24 novels, 10 collections of short stories, three plays, two biographies, two volumes of critical essays and five books on the languages of Kandh, Gadaba and Saora tribes.
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Odia literature's novel Gambhiri Ghara is a landmark, that gained international recognition for its feminist and liberal ideas.
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Odia literature's poems depict the binary of women's social apathy and self-confidence.
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Traditional Odia literature theater is the folk opera, or jatra, which flourishes in rural Odisha.
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Odia literature wrote two historical plays on Odia freedom fighters Chakhi Khuntia and Jayee Rajguru that were widely staged.
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Classics including children's Odia literature were translated by Grantha Mandir Publishers under their "Vishwa Sahitya Granthamala" initiative, including Alice in Wonderland translated by Subhendu Mohan Srichandan Singh as Vichitra Deshare Alice.
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