The image of the wild man survived to appear as supporter for heraldic coats-of-arms, especially in Germany, well into the 16th century.
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The image of the wild man survived to appear as supporter for heraldic coats-of-arms, especially in Germany, well into the 16th century.
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Notably, peasants in the Grisons tried to capture the wild man by getting him drunk and tying him up in hopes that he would give them his wisdom in exchange for freedom.
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Besides mythological influences, medieval wild man lore drew on the learned writings of ancient historians, though likely to a lesser degree.
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The identity of Pela is unknown, but the earth goddess Maia appears as the wild woman, and names related to Orcus were associated with the wild man through the Middle Ages, indicating that this dance was an early version of the wild-man festivities celebrated through the Middle Ages and surviving in parts of Europe through modern times.
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Wild man is described in the book Konungs skuggsja, written in Norway about 1250:.
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Wild man begins to grow feathers and talons as the curse runs its full course, flies like a bird, and spends many years travelling naked through the woods, composing verses among other madmen.
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Wild man crept away and fled to the woods, unwilling that any should see his going.
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Wild man watched the wild creatures grazing on the pasture of the glades.
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Wild man made use of the roots of plants and of grasses, of fruit from trees and of the blackberries in the thicket.
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Wild man became a Man of the Woods, as if dedicated to the woods.
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Wild man people are the characters of the Slavic folk demonology, mythical forest creatures.
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Some early sets of playing cards have a suite of Wild Men, including a pack engraved by the Master of the Playing Cards, some of the earliest European engravings.
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In Wild Man Holding a Shield with a Hare and a Shield with a Moor's Head, the wild man holds two parallel shields, which seem to project from the groin of the central figure.
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Wild man's somber look is reminiscent of that an animal trapped in a zoo as if to suggest that he is upset to have been tamed.
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Wild man too wears a crown of vines, which trail behind into the wind toward a jagged mountaintop.
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Wild man was used as a symbol of mining in late medieval and Renaissance Germany.
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Wild man allows the fictional possibility that his Druedain were the "actual" origin of the wild men of later traditional folklore.
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An early example of the wild man acting as an heraldic supporter appears in the seal of Christian I of Denmark .
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