Aleksandr Rodchenko was one of the founders of constructivism and Russian design; he was married to the artist Varvara Stepanova.
FactSnippet No. 778,920 |
Aleksandr Rodchenko was one of the founders of constructivism and Russian design; he was married to the artist Varvara Stepanova.
FactSnippet No. 778,920 |
Aleksandr Rodchenko was one of the most versatile constructivist and productivist artists to emerge after the Russian Revolution.
FactSnippet No. 778,921 |
Aleksandr Rodchenko worked as a painter and graphic designer before turning to photomontage and photography.
FactSnippet No. 778,922 |
Aleksandr Rodchenko's photography was socially engaged, formally innovative, and opposed to a painterly aesthetic.
FactSnippet No. 778,923 |
Aleksandr Rodchenko was born in St Petersburg to a working-class family who moved to Kazan after the death of his father, in 1909.
FactSnippet No. 778,924 |
Aleksandr Rodchenko became an artist without having had any exposure to the art world, drawing much inspiration from art magazines.
FactSnippet No. 778,925 |
Aleksandr Rodchenko used a compass and ruler in creating his paintings, with the goal of eliminating expressive brushwork.
FactSnippet No. 778,928 |
Aleksandr Rodchenko worked in Narkompros and he was one of the organizers of RABIS.
FactSnippet No. 778,929 |
Aleksandr Rodchenko was appointed Director of the Museum Bureau and Purchasing Fund by the Bolshevik Government in 1920, responsible for the reorganization of art schools and museums.
FactSnippet No. 778,930 |
Aleksandr Rodchenko taught from 1920 to 1930 at the Higher Technical-Artistic Studios, a Bauhaus organization with a "checkered career".
FactSnippet No. 778,932 |
Aleksandr Rodchenko gave up painting to concentrate on graphic design for posters, books, and films.
FactSnippet No. 778,933 |
Aleksandr Rodchenko was deeply influenced by the ideas and practice of the filmmaker Dziga Vertov, with whom he worked intensively in 1922.
FactSnippet No. 778,934 |
Aleksandr Rodchenko's first published photomontage illustrated Mayakovsky's poem, "About This", in 1923.
FactSnippet No. 778,935 |
In 1924, Aleksandr Rodchenko produced what is likely his most famous poster, an advertisement for the Lengiz Publishing House sometimes titled "Books", which features a young woman with a cupped hand shouting "????? ?? ???? ???????? ??????", printed in modernist typography.
FactSnippet No. 778,936 |
From 1923 to 1928 Aleksandr Rodchenko collaborated closely with Mayakovsky on the design and layout of LEF and Novy LEF, the publications of Constructivist artists.
FactSnippet No. 778,937 |
Aleksandr Rodchenko's images eliminated unnecessary detail, emphasized dynamic diagonal composition, and were concerned with the placement and movement of objects in space.
FactSnippet No. 778,938 |
Aleksandr Rodchenko joined the October Group of artists in 1928 but was expelled three years later, charged with "formalism", an accusation first raised in the pages of Sovetskoe Foto in 1928.
FactSnippet No. 778,939 |
Aleksandr Rodchenko returned to painting in the late 1930s, stopped photographing in 1942, and produced abstract expressionist works in the 1940s.
FactSnippet No. 778,940 |
Aleksandr Rodchenko continued to organize photography exhibitions for the government during these years.
FactSnippet No. 778,941 |
In 1921, Aleksandr Rodchenko executed the first true monochrome paintings, first displayed in the 5x5=25 exhibition in Moscow.
FactSnippet No. 778,942 |