The members of the Beat poetry Generation developed a reputation as new bohemian hedonists, who celebrated non-conformity and spontaneous creativity.
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The members of the Beat poetry Generation developed a reputation as new bohemian hedonists, who celebrated non-conformity and spontaneous creativity.
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Beat poetry was given the option to plead insanity to avoid a jail term, and was committed for 90 days to Bellevue Hospital, where he met Carl Solomon.
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Beat poetry fell in love with Peter Orlovsky at the end of 1954 and began writing Howl.
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Beat poetry waited, then dumped the body in the Hudson River, later seeking advice from Burroughs, who suggested he turn himself in.
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Beat poetry then went to Kerouac, who helped him dispose of the weapon.
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Beat poetry wrote a collaboration novel with Burroughs, And the Hippos Were Boiled in Their Tanks, concerning the murder.
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Beat poetry titled it Off the Road, and it was published in 1990.
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That is, until the assassination of the Civil Rights leader, Malcolm X During this time, LeRoi Jones branched off from the other Beat writers, including his wife, to find his identity among the African-American and Islamic communities.
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Some Beat poetry writers were openly gay or bisexual, including two of the most prominent.
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Original members of the Beat poetry Generation used a number of different drugs, including alcohol, marijuana, benzedrine, morphine, and later psychedelic drugs such as peyote, Ayahuasca, and LSD.
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Writers of the Beat poetry Generation were heavily influenced by Jazz artists like Billie Holiday and the stories told through Jazz music.
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Second-generation Beat poetry Ted Joans was named "the only Afro-American Surrealist" by Breton.
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Singer-songwriter Tom Waits, a Beat poetry fan, wrote "Jack and Neal" about Kerouac and Cassady, and recorded "On the Road" with Primus.
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Beat poetry later collaborated with Burroughs on the theatrical work The Black Rider.
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Beat poetry Generation was met with scrutiny and assigned many stereotypes.
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Beat poetry's 1958 Partisan Review article "The Know-Nothing Bohemians" was a vehement critique primarily of Kerouac's On the Road and The Subterraneans, as well as Ginsberg's Howl.
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