Colonial Williamsburg is a living-history museum and private foundation presenting a part of the historic district in the city of Williamsburg, Virginia, United States.
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Colonial Williamsburg is a living-history museum and private foundation presenting a part of the historic district in the city of Williamsburg, Virginia, United States.
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The Colonial Williamsburg Foundation has 7300 employees at this location and.
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Colonial Williamsburg is a historical landmark and a living history museum.
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Colonial Williamsburg operations extend to Merchants Square, a Colonial Revival commercial area designated a historic district in its own right.
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Eighty-one years of the 18th century, Colonial Williamsburg was the center of government, education and culture in the Colony of Virginia.
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Colonial Williamsburg helped harmonize the congregation, and assumed leadership of a flagging campaign to restore the 1711 church building.
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Colonial Williamsburg renewed his associations with the Association for the Preservation of Virginia Antiquities—the membership of which included prominent and wealthy Virginians—and helped to protect and repair the town's 18th-century octagonal powder horn, a structure now called the Magazine.
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Rockefeller's first investment in a Colonial Williamsburg house had been a contribution to Goodwin's acquisition of the George Wythe House for next-door Bruton Church's parish house.
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Colonial Williamsburg later considered limiting his restoration involvement to the college and an exhibition enclave.
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Colonial Williamsburg pursued a program of partial re-creation of some of the rest of the town.
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At least one historic area house that Colonial Williamsburg took down to its basement and replaced its superstructure is likewise classified among the 88.
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The Colonial Williamsburg Parkway was planned and is maintained to reduce modern intrusions.
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Colonial Williamsburg dedicated its headquarters in 1941, naming it The Goodwin Building.
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Colonial Williamsburg operated Carter's Grove until 2003 as a satellite facility of Colonial Williamsburg, with interpretive programs.
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Colonial Williamsburg has become one of the most popular tourist destinations in Virginia.
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Colonial Williamsburg is an open-air assemblage of buildings populated with historical reenactors whose job it is to explain and demonstrate aspects of daily life in the past.
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Also unlike other living history museums, Colonial Williamsburg allows anyone to walk through the historic district free of charge, at any hour of the day.
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Colonial Williamsburg is owned and operated as a living museum by the Colonial Williamsburg Foundation, the non-profit entity endowed initially by the Rockefeller family and over the years by others, notably Reader's Digest founders Lila and DeWitt Wallace, and Philadelphia publisher Walter Annenberg.
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Colonial Williamsburg shifted some of the interpretive programs to locations contiguous to the historic area in Williamsburg, including the ersatz farm Great Hopes Plantation next to its Visitor Center.
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Colonial Williamsburg is midway between two larger commercial airports, Richmond International Airport and Norfolk International Airport, each about an hour's distance away.
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Colonial Williamsburg operates its own fleet of buses with stops close to attractions in the historic area, although no motor vehicles operate during the day on Duke of Gloucester Street .
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Colonial Williamsburg has been criticized for neglecting the role of free African-Americans in Colonial life, in addition to those who were slaves.
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Colonial Williamsburg offered some of the earlier public accommodations on an integrated basis.
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In 1981, Colonial Williamsburg added a program to explain slavery and its role in Colonial America, but this "Other Half Tour, " which is composed by the Foundation's African American and Interpretation Programs Department, provides a different form of historical interpretation than does its counterpart tour, "The Patriots' Tour, " thus creating a marked dichotomy between how visitors are expected to interpret history at the museum.
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In recent years, Colonial Williamsburg has expanded its portrayal of 18th-century African-Americans to include free Blacks as well as slaves.
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