31 Facts About Mexican art

1.

The Mexican art of reading and writing was strictly designated to the highest priest classes, as this ability was a source of their power over society.

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2.

Since the Spanish conquest of the Aztec Empire, Mexican art has been an ongoing and complex interaction between the traditions of Europe and native perspectives.

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3.

Religious Mexican art set the rationale for Spanish domination over the indigenous.

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4.

Mexican art's painting is exemplified by the canvas called Doubting Thomas from 1643.

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5.

Mexican art's paintings were copied and reworked and became the standard for both religious and secular art.

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6.

Mexican art used Rubens' brush techniques and the shape of the structure to create a composition of clouds with angels and saints, from which a dove descends to represent the Holy Spirit.

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7.

Colonial religious Mexican art was sponsored by Church authorities and private patrons.

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8.

Mexican art'story painting of the Spanish Conquest of Tenochtitlan, 17th century.

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9.

The earliest of these Mexican art made screens had oriental designs but later ones had European and Mexican art themes.

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10.

Mexican art first taught sculpture at the Academy of San Carlos and then became its second director.

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11.

The portrait is typical of those from the late eighteenth century, with framing elements, a formal caption, and new elements being iconography of the emerging Mexican art nationalism, including the eagle atop the nopal cactus, which became the central image for the Mexican art flag.

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12.

The first was that Mexican art society denigrated colonial culture—the indigenous past was seen as more truly Mexican art.

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13.

Mexican art painted scenes with dynamic composition and bright colors in accordance with Romantic style, looking for striking, sublime, and beautiful images in Mexico as well as other areas of Latin America.

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14.

Mexican art changed his name in order to identify himself as Mexican.

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15.

Mexican art taught major artists to follow him, including those who came to dominate Mexican mural painting.

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16.

Mexican art's would depict herself in very surreal, unsettling scenarios like in The Two Fridas where she depicts two versions of herself, one with a broken heart and one with a healthy infusing the broken heart with "hopeful" blood.

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17.

Mexican art left for New York in 1926 where success allowed him to exhibit in his native Mexico.

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18.

Mexican art's work was a mix of European abstraction and Latin American influences, including Mesoamerican ones.

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19.

In 1976 "Fernando Gamboa spearheads the organization of an exposition of abstract art entitled El Geometrismo Mexicano Una Tendencia Actual".

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20.

The linking of artesania and Mexican identity continues through television, movies, and tourism promotion.

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21.

Movies about the Mexican art Revolution focused on the initial overthrow of the Porfirio Diaz government rather than the fighting among the various factions afterwards.

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22.

Mexican art is the most consistently political of modern Mexican directors.

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23.

Mexican art's career began with a spaghetti Western-like film called Tiempo de morir in 1965 and who some consider the successor to Luis Bunuel who worked in Mexico in the 1940s.

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24.

One reason for international interest in Mexican art cinema was the wild success of the 1992 film Como Agua Para Chocolate .

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25.

Again like Kahlo, Casasola's work prior to the Mexican art Revolution focused on non-controversial photographs, focusing on the lives of the elite.

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26.

Mexican art began to focus not only on portraits of the main protagonists and general battle scenes, but on executions and the dead.

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27.

Mexican art focused on people whose faces showed such expressions as pain, kindness, and resignation.

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28.

Mexican art's total known archives comprise about half a million images with many of his works archived in the former monastery of San Francisco in Pachuca.

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29.

Mexican art was active from the 1920s until his death in the 1990s.

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30.

Mexican art has published a number of books including Mexico Tenochtitlan and Tepito, Bravo el Barrio.

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31.

In 2002, a photographic exhibit by Daniela Rossell featured images of Mexican art multimillionaires posing in their ostentatious homes, filled with expensive paintings, hunting trophies, crystal chandeliers, gold lame wallpaper, and household help.

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