Types and methods of notation have varied between cultures and throughout history, and much information about ancient music notation is fragmentary.
| FactSnippet No. 1,297,618 |
Types and methods of notation have varied between cultures and throughout history, and much information about ancient music notation is fragmentary.
| FactSnippet No. 1,297,618 |
The seeds of what would eventually become modern Western Music notation were sown in medieval Europe, starting with the Christian Church's goal for ecclesiastical uniformity.
| FactSnippet No. 1,297,619 |
Music notation developed further during the Renaissance and Baroque music eras.
| FactSnippet No. 1,297,620 |
Music notation has been adapted to many kinds of music, including classical music, popular music, and traditional music.
| FactSnippet No. 1,297,621 |
Ancient Greek musical notation was in use from at least the 6th century BCE until approximately the 4th century CE; only one complete composition and a number of fragments using this notation survive.
| FactSnippet No. 1,297,622 |
Ancient Greek Music notation appears to have fallen out of use around the time of the Decline of the Western Roman Empire.
| FactSnippet No. 1,297,623 |
Today the main difference between Western and Eastern neumes is that Eastern notation symbols are "differential" rather than absolute, i e, they indicate pitch steps, and the musicians know to deduce correctly, from the score and the note they are singing presently, which correct interval is meant.
| FactSnippet No. 1,297,624 |
Sometimes cantors use transcriptions into Western or Kievan staff Music notation while adding non-notatable embellishment material from memory and "sliding" into the natural scales from experience, but even concerning modern neume editions since the reform of Chrysanthos a lot of details are only known from an oral tradition related to traditional masters and their experience.
| FactSnippet No. 1,297,625 |
The problem with this notation was that it only showed melodic contours and consequently the music could not be read by someone who did not know the music already.
| FactSnippet No. 1,297,626 |
Music notation suggested that individual notes could have their own rhythms represented by the shape of the note.
| FactSnippet No. 1,297,627 |
Music notation taught the use of solmization syllables based on a hymn to Saint John the Baptist, which begins Ut Queant Laxis and was written by the Lombard historian Paul the Deacon.
| FactSnippet No. 1,297,628 |
Jeongganbo is a unique traditional musical notation system created during the time of Sejong the Great that was the first East Asian system to represent rhythm, pitch, and time.
| FactSnippet No. 1,297,629 |
Each line of the notation contains 64 characters, written in groups of four notes.
| FactSnippet No. 1,297,631 |
The stolp notation was developed in Kievan Rus' as an East Slavic refinement of the Byzantine neumatic musical notation.
| FactSnippet No. 1,297,632 |
Gongche Music notation used Chinese characters for the names of the scale.
| FactSnippet No. 1,297,633 |
Symbols used for drum Music notation are highly variable from place to place and performer to performer.
| FactSnippet No. 1,297,634 |
Many of these systems seek to improve upon traditional Music notation by using a "chromatic staff" in which each of the 12 pitch classes has its own unique place on the staff.
| FactSnippet No. 1,297,635 |
Standard form of rap Music notation is the "flow diagram", where rappers line up their lyrics underneath "beat numbers".
| FactSnippet No. 1,297,636 |
ABC Music notation is a compact format using plain text characters, readable by computers and by humans.
| FactSnippet No. 1,297,637 |