Neoclassical architecture is an architectural Neo-classical style produced by the Neoclassical movement that began in the mid-18th century in Italy and France.
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Neoclassical architecture is an architectural Neo-classical style produced by the Neoclassical movement that began in the mid-18th century in Italy and France.
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Therefore, the Neo-classical style is defined by symmetry, simple geometry, and social demands instead of ornament.
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Return to more classical architectural forms as a reaction to the Rococo Neo-classical style can be detected in some European architecture of the earlier 18th century, most vividly represented in the Palladian architecture of Georgian Britain and Ireland.
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On Jadot's lead, an original neoclassical Neo-classical style was developed by Gaspare Maria Paoletti, transforming Florence into the most important centre of neoclassicism in the peninsula.
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Techniques employed in the Neo-classical style included flatter, lighter motifs, sculpted in low frieze-like relief or painted in monotones en camaieu, isolated medallions or vases or busts or bucrania or other motifs, suspended on swags of laurel or ribbon, with slender arabesques against backgrounds, perhaps, of "Pompeiian red" or pale tints, or stone colours.
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The Neo-classical style was expressed in the shape of main public buildings, such as the University's Observatory, Vilnius Cathedral and the town hall.
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Neo-classical style built the Museo del Prado, which combined three functions: an academy, an auditorium, and a museum in one building with three separate entrances.
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Neo-classical style made trips to observe the buildings and develop his functional style.
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One of the pioneers of this Neo-classical style was the English-born Benjamin Henry Latrobe, who is often noted as one of America's first formally trained professional architects and the father of American architecture.
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