Richard Foreman has written, directed and designed over fifty of his own plays, both in New York City and abroad.
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Richard Foreman has written, directed and designed over fifty of his own plays, both in New York City and abroad.
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Richard Foreman has received three Obie Awards for Best Play of the Year, and received four other Obies for directing and for sustained achievement.
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Richard Foreman has received the annual Literature Award from the American Academy and Institute of Arts and Letters, a "Lifetime Achievement in the Theater" award from the National Endowment for the Arts, the PEN American Center Master American Dramatist Award, a MacArthur Fellowship, and in 2004 was elected an officer of the Order of Arts and Letters of France.
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Richard Foreman was born in New York City, but spent many of his formative years in Scarsdale, New York.
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Two years after Arthur Miller's original production premiered on Broadway, Richard Foreman produced and directed The Crucible at Scarsdale High School.
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The documentary reveals that Richard Foreman was adopted — a fact he did not discover until he was in his 30s.
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Richard Foreman admits that his adoption might have contributed his feelings of being uncomfortable in his body and in the world.
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At Yale, Richard Foreman studied under John Gassner, the drama critic and former literary manager at The Theatre Guild.
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Richard Foreman moved to New York City directly after graduating from Yale School of Drama and worked as a manager of apartment complexes.
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Richard Foreman described feeling "overwhelmed" upon seeing The Living Theatre's productions of The Connection and The Brig.
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Richard Foreman attended screenings of avant-garde filmmaker Jonas Mekas at The Living Theatre.
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Richard Foreman finally inserted himself into the avant-garde scene when police interrupted a screening and seized a copy of the 1963 film, Flaming Creatures, and charged Jonas Mekas, Ken Jacobs, and Florence Karpf for violating New York's obscenity laws.
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Richard Foreman called Mekas, offering his help, and over the following years, Richard Foreman and Mekas became close friends and collaborators.
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Richard Foreman began working for Mekas and Maciunas, overseeing their movie theater, Film-Maker's Cinematheque at 80 Wooster Street.
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Richard Foreman became heavily involved in the development of Maciunas' Fluxhouse Cooperatives, which consisted of converted SoHo lofts designed to be living and working spaces for artists.
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Richard Foreman himself has spoken about the significance of her writings to his work.
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The primary connection between the works of Stein and Richard Foreman, she proposes, is the writers' conception of consciousness in writing.
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Richard Foreman mounted his first production with Ontological-Hysteric Theatre in 1968 at the Film-Maker's Cinematheque on Wooster Street, where he worked under the Fluxus leader George Maciunas.
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Kirby notes that Richard Foreman makes use of written text that is projected on screens on the set.
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Richard Foreman's work has been primarily produced by and performed at the Ontological-Hysteric Theater in New York, though he has gained acclaim as director for such productions as Bertolt Brecht's The Threepenny Opera at Lincoln Center and the premiere of Suzan-Lori Parks's Venus at the Public Theater.
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Richard Foreman's plays have been co-produced by The New York Shakespeare Festival, La Mama Theatre, The Wooster Group, the Festival d'Autumn in Paris and the Vienna Festival.
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Richard Foreman has collaborated with composer Stanley Silverman on eight music theater pieces produced by The Music Theater Group and The New York City Opera.
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In 2004, Richard Foreman established The Bridge Project with Sophie Haviland to promote international art exchange between countries around the world through workshops, symposiums, theater productions, visual art, performance and multimedia events.
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Richard Foreman has won seven Village Voice Obie Awards, including three for "Best Play", and one for Lifetime Achievement.
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