Trey Ellis was born on 1962 and is an American novelist, screenwriter, professor, playwright, and essayist.
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Trey Ellis was born on 1962 and is an American novelist, screenwriter, professor, playwright, and essayist.
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Trey Ellis was born in Washington DC and graduated from Hopkins School and Phillips Academy, Andover, where he studied under Alexander Theroux before attending Stanford University, where he was the editor of the Stanford Chaparral and wrote his first novel, Platitudes in a creative writing class taught by Gilbert Sorrentino.
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Trey Ellis is a Professor of Professional Practice in the Graduate School of the Arts at Columbia University.
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Trey Ellis occupies a place as an intellectual outsider, excluded from the mainstream, and yet the nerd identity is hyper-white.
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Trey Ellis is the author of the novels Home Repairs and Right Here, Right Now, which received an American Book Award.
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Trey Ellis's essays have appeared in The New York Times, Playboy, The Washington Post, The Los Angeles Times and GQ, among other places.
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Trey Ellis is a regular blogger on The Huffington Post and lives in Manhattan, where he is an associate professor at the Columbia University Graduate School of Film.
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Trey Ellis is known for the small piece he wrote titled "New Black Aesthetic" which describes the change in the overall image of "blackness" that has emerged in American society in the past few decades.
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Trey Ellis uses these as examples of thriving hybrids, or people who don't leave behind their culture to be successful.
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Trey Ellis refers to Whitney Houston and Lionel Richie as "neutered mutations" that chose to conform and commercialize their once soulful style just so they could maximize their profits by appealing to multiple cultures.
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Trey Ellis signifies two types of cultural mulattoes: "thriving hybrids" and "neutered mutants".
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The NBA, as characterized by Trey Ellis, allows space for the cultural mulatto to perform a self-defined, authentic form of identity that does not rely on the self-deluding practice of negating his or her blackness.
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Trey Ellis uses her music to empower black queer women when these voices have been historically ignored.
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Trey Ellis is most famous for his first work of metafiction called Platitudes.
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Trey Ellis is in all sense what Ellis calls the cultural mulatto.
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Trey Ellis attends the private St Rita's School for Girls in Manhattan.
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Trey Ellis is comfortable among her white friends and even has some power and status among them, but she is aware of her black identity and how she differs from her them.
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Trey Ellis uses Isshee's and Dewayne's novel and of two characters who provide examples of the cultural mulatto to portray the "new black aesthetic" and the absence of a single black identity.
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In Platitudes, Trey Ellis depicts the tension between two African-American authors, Isshee and Dewayne, as they debate on the proper portrayal of Black characters.
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Trey Ellis's existence is the product of the civil rights movement which sanctioned the ability for him to live unpunished within the white world of Downtown Harlem.
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Trey Ellis comes from humble beginnings, but she shares the same privileges as Earle able to transverse both white and black worlds and still fit in.
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Trey Ellis perceives himself through the eyes of others thinking “Stop fooling around and just look mean so they won't know you're not from uptown”.
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Trey Ellis's counterpart, Dorothy is a thriving hybrid, another neologism by Ellis, she is capable of blending into the landscapes of both worlds, yet she is still self-conscious of her presence in both spaces.
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Trey Ellis maintains the aleatory disconnection by constantly changing the style of the novel; he shifts from dialogue to stream of consciousness to a third-person omniscient point of view.
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