Jugendstil was an artistic movement, particularly in the decorative arts, that was influential primarily in Germany and elsewhere in Europe to a lesser extent from about 1895 until about 1910.
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Jugendstil combined floral decoration and sinuous curves with more geometric lines, and soon was used for covers of novels, advertisements, and exhibition posters.
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Darmstadt Artists' Colony is a remarkable collection of Jugendstil buildings created beginning in 1899 by Ernest Ludwig, Grand Duke of Hesse, and grandson of Queen Victoria, to promote both commerce and the arts.
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Jugendstil brought together a group of designers to create his new community, including Peter Behrens, Hans Christiansen, and Joseph Maria Olbrich.
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Jugendstil settled in Weimar in 1899 and produced a wide variety of decorative works, including silverware and ceramics, all in strikingly original forms.
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Jugendstil's silverware was particularly unusual: each piece had its own form, with sleek curving lines, but together they formed a harmonious ensemble.
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Jugendstil created a showcase of applied arts for the Dresden Exposition of Applied Arts in 1906, decorated with paintings by Ludwig von Hofmann, intended as the main room of a new museum of decoration in Weimar.
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Jugendstil transposed the characteristics of his silverware, dishes, and furniture into the architecture.
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Jugendstil's remake of Art Nouveau into a more functional and simplified style very different appeared in his door handles, his chairs, and the facades of his buildings.
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Jugendstil designed every detail of the interior down to the nails.
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Jugendstil designed the Hackesche Hofe, a complex of buildings in the centre of Berlin, noted for the imaginative details of the decoration, in spirals and curling forms,.
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Ideal of designers of the Jugendstil was to make a house a complete work of art, with everything inside, from the furniture to the carpets and the dishware, silverware and the art, in perfect harmony.
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