Samuel Osmond Barber II was an American composer, pianist, conductor, baritone, and music educator, and one of the most celebrated composers of the 20th century.
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Samuel Osmond Barber II was an American composer, pianist, conductor, baritone, and music educator, and one of the most celebrated composers of the 20th century.
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Samuel Barber's works became successful on the international stage and many of his compositions enjoyed rapid adoption into the classical performance canon.
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Samuel Barber received the Pulitzer Prize for Music twice: for his opera Vanessa, and for the Concerto for Piano and Orchestra .
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Samuel Barber was in a relationship with the composer Gian Carlo Menotti for more than 40 years.
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Samuel Barber was born into a comfortable, educated, social, and distinguished American family.
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Samuel Barber's father was a physician; his mother was a pianist of English-Scottish-Irish descent whose family had lived in the United States since the time of the American Revolutionary War.
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Samuel Barber's maternal aunt, Louise Homer, was a leading contralto at the Metropolitan Opera; his uncle, Sidney Homer, was a composer of American art songs.
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At a very early age, Samuel Barber became profoundly interested in music, and it was apparent that he had great musical talent and ability.
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Samuel Barber began studying the piano at the age of six and at age seven composed his first work, Sadness, a 23-measure solo piano piece in C minor.
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However, Samuel Barber was in no way a typical boy, and at the age of nine he wrote to his mother:.
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At the age of 10, Samuel Barber wrote his first operetta, The Rose Tree, to a libretto by the family's cook.
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Samuel Barber was awarded a Guggenheim Fellowship in 1946 and studied conducting privately with George Szell.
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From his early adulthood, Samuel Barber wrote a flurry of successful compositions, launching him into the spotlight of the classical music world.
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Samuel Barber won the Bearns Prize a second time for his first large-scale orchestral work, an overture to The School for Scandal, which was composed in 1931 when he was 21 years old.
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In 1938, when Samuel Barber was 28, his Adagio for Strings was performed by the NBC Symphony Orchestra under the direction of Arturo Toscanini, along with his first Essay for Orchestra.
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In 1942, after the US entered World War II, Samuel Barber joined the Army Air Corps where he remained in service through 1945.
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The home served as their artistic retreat up until 1972, and it was at this house that Samuel Barber had his most productive years as a composer during the 1940s, 1950s, and early 1960s.
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In 1953 Samuel Barber was introduced to soprano Leontyne Price by her voice teacher Florence Kimball, who was a friend of Samuel Barber, when he approached Kimball about needing a singer to perform his song cycle Hermit Songs.
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In 1958 Samuel Barber won the Pulitzer Prize for Music for his first opera Vanessa which premiered at the Metropolitan Opera in January 1958 with a cast that included opera stars Eleanor Steber, Rosalind Elias, Regina Resnik, Nicolai Gedda, and Giorgio Tozzi.
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Tensions grew between Menotti and Samuel Barber, leading Menotti to insist that the couple end their romantic attachment and put 'Capricorn' up for sale in 1970.
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Samuel Barber was elected to the American Academy of Arts and Letters and, as a Fellow, to the American Academy of Arts and Sciences in 1961.
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Samuel Barber was awarded the Edward MacDowell Medal in 1980 by the MacDowell Colony for outstanding contribution to the arts.
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Samuel Barber worked to bring attention to and ameliorate adverse conditions facing musicians and musical organizations worldwide.
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Samuel Barber was influential in the successful campaign by composers against ASCAP, the goal of which was to increase royalties paid to composers.
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Samuel Barber wrote a concertante work for organ and orchestra entitled Toccata Festiva .
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The critical rejection of music that Samuel Barber considered to be among his best sent him into a deep depression.
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The Barber biographies written by Nathan Broder and Barbara B Heyman discuss the genesis of the concerto during the period of the violin concerto's commission and subsequent year leading up to the first performance.
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