Anton Pavlovich Chekhov was a Russian playwright and short-story writer who is considered to be one of the greatest writers of all time.
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Anton Pavlovich Chekhov was a Russian playwright and short-story writer who is considered to be one of the greatest writers of all time.
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Chekhov renounced the theatre after the reception of The Seagull in 1896, but the play was revived to acclaim in 1898 by Konstantin Stanislavski's Moscow Art Theatre, which subsequently produced Chekhov's Uncle Vanya and premiered his last two plays, Three Sisters and The Cherry Orchard.
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The plays that Chekhov wrote were not complex, but easy to follow, and created a somewhat haunting atmosphere for the audience.
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Chekhov made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them.
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Anton Chekhov born in Russian family, on the feast day of St Anthony the Great 29 January 1860 in Taganrog, a port on the Sea of Azov in southern Russia.
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Chekhov's mother, Yevgeniya, was an excellent storyteller who entertained the children with tales of her travels with her cloth-merchant father all over Russia.
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Chekhov attended the Greek School in Taganrog and the Taganrog Gymnasium, where he was held back for a year at fifteen for failing an examination in Ancient Greek.
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Chekhov sang at the Greek Orthodox monastery in Taganrog and in his father's choirs.
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In 1876, Chekhov's father was declared bankrupt after overextending his finances building a new house, having been cheated by a contractor named Mironov.
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Chekhov's mother was physically and emotionally broken by the experience.
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Chekhov was left behind to sell the family's possessions and finish his education.
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Chekhov had to pay for his own education, which he managed by private tutoring, catching and selling goldfinches, and selling short sketches to the newspapers, among other jobs.
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Chekhov sent every ruble he could spare to his family in Moscow, along with humorous letters to cheer them up.
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In 1884 and 1885, Chekhov found himself coughing blood, and in 1886 the attacks worsened, but he would not admit his tuberculosis to his family or his friends.
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In 1887, exhausted from overwork and ill health, Chekhov took a trip to Ukraine, which reawakened him to the beauty of the steppe.
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From this period comes an observation of Chekhov's that has become known as Chekhov's gun, a dramatic principle that requires that every element in a narrative be necessary and irreplaceable, and that everything else be removed.
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In 1890, Chekhov undertook an arduous journey by train, horse-drawn carriage, and river steamer to the Russian Far East and the katorga, or penal colony, on Sakhalin Island, north of Japan, where he spent three months interviewing thousands of convicts and settlers for a census.
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The letters Chekhov wrote during the two-and-a-half-month journey to Sakhalin are considered to be among his best.
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Chekhov witnessed much on Sakhalin that shocked and angered him, including floggings, embezzlement of supplies, and forced prostitution of women.
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Chekhov later concluded that charity was not the answer, but that the government had a duty to finance humane treatment of the convicts.
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Chekhov's findings were published in 1893 and 1894 as Ostrov Sakhalin, a work of social science, not literature.
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Chekhov found literary expression for the "Hell of Sakhalin" in his long short story "The Murder, " the last section of which is set on Sakhalin, where the murderer Yakov loads coal in the night while longing for home.
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Chekhov's writing on Sakhalin, especially the traditions and habits of the Gilyak people, is the subject of a sustained meditation and analysis in Haruki Murakami's novel 1Q84.
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In 1894, Chekhov began writing his play The Seagull in a lodge he had built in the orchard at Melikhovo.
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In March 1897, Chekhov suffered a major haemorrhage of the lungs while on a visit to Moscow.
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Chekhov vowed to move to Taganrog as soon as a water supply was installed there.
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Chekhov took a year each over Three Sisters and The Cherry Orchard.
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On 25 May 1901, Chekhov married Olga Knipper quietly, owing to his horror of weddings.
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Chekhov's was a former protegee and sometime lover of Nemirovich-Danchenko whom he had first met at rehearsals for The Seagull.
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Up to that point, Chekhov, known as "Russia's most elusive literary bachelor, " had preferred passing liaisons and visits to brothels over commitment.
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In May 1903 Chekhov visited Moscow; the prominent lawyer Vasily Maklakov visited him almost every day.
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Mikhail Chekhov recalled that "everyone who saw him secretly thought the end was not far off, but the nearer [he] was to the end, the less he seemed to realise it".
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Chekhov died on 15 July 1904 at the age of 44 after a long fight with tuberculosis, the same disease that killed his brother.
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Chekhov's death has become one of "the great set pieces of literary history", retold, embroidered, and fictionalized many times since, notably in the 1987 short story "Errand" by Raymond Carver.
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Chekhov's body was transported to Moscow in a refrigerated railway-car meant for oysters, a detail that offended Gorky.
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Chekhov was buried next to his father at the Novodevichy Cemetery.
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Chekhov's work found praise from several of Russia's most influential radical political thinkers.
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Raymond Carver, who wrote the short story "Errand" about Chekhov's death, believed that Chekhov was the greatest of all short story writers:.
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Chekhov's stories are as wonderful now as when they first appeared.
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Chekhov's plays depend, as comedy does, on the vitality of the actors to make pleasurable what would otherwise be painfully awkward—inappropriate speeches, missed connections, faux pas, stumbles, childishness—but as part of a deeper pathos; the stumbles are not pratfalls but an energized, graceful dissolution of purpose.
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One of Anton's nephews, Michael Chekhov would contribute heavily to modern theatre, particularly through his unique acting methods which developed Stanislavski's ideas further.
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Chekhov has influenced the work of Japanese playwrights including Shimizu Kunio, Yoji Sakate, and Ai Nagai.
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Nagai adapted Chekhov's plays, including Three Sisters, and transformed his dramatic style into Nagai's style of satirical realism while emphasising the social issues depicted on the play.
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Chekhov's works have been adapted for the screen, including Sidney Lumet's Sea Gull and Louis Malle's Vanya on 42nd Street.
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Chekhov's work has served as inspiration or been referenced in numerous films.
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