14 Facts About Beaux-Arts architecture

Beaux-Arts architecture style evolved from the French classicism of the Style Louis XIV, and then French neoclassicism beginning with Style Louis XV and Style Louis XVI.

The Academy held the competition for the Grand Prix de Rome in Beaux-Arts architecture, which offered prize winners a chance to study the classical Beaux-Arts architecture of antiquity in Rome.

Beaux-Arts architecture training emphasized the production of quick conceptual sketches, highly finished perspective presentation drawings, close attention to the program, and knowledgeable detailing.

Beaux-Arts architecture building decoration presenting images of the Roman goddesses Pomona and Diana.

Beaux-Arts architecture depended on sculptural decoration along conservative modern lines, employing French and Italian Baroque and Rococo formulas combined with an impressionistic finish and realism.

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Since Leopold was the grandson of Louis Philippe I of France, he loved this specific building style which is similar to and has its roots in the Beaux-Arts architecture that has been realized in the 17th and 18th century for the French crown.

Germany is one of the countries where the Beaux-Arts style was well received, along with Baroque Revival architecture.

Beaux-Arts architecture was very prominent in public buildings in Canada in the early 20th century.

Beaux-Arts architecture had a strong influence on architecture in the United States because of the many prominent American architects who studied at the Ecole des Beaux-Arts, including Henry Hobson Richardson, John Galen Howard, Daniel Burnham, and Louis Sullivan.

Beaux-Arts architecture city planning, with its Baroque insistence on vistas punctuated by symmetry, eye-catching monuments, axial avenues, uniform cornice heights, a harmonious "ensemble, " and a somewhat theatrical nobility and accessible charm, embraced ideals that the ensuing Modernist movement decried or just dismissed.

The first American university to institute a Beaux-Arts architecture curriculum is the Massachusetts Institute of Technology in 1893, when the French architect Constant-Desire Despradelle was brought to MIT to teach.

The Beaux-Arts architecture curriculum was begun at Columbia University, the University of Pennsylvania, and elsewhere.

An ecclesiastical variant on the Beaux-Arts style is Minneapolis' Basilica of St Mary, the first basilica in the United States, which was designed by Franco-American architect Emmanuel Louis Masqueray and opened in 1914, and a Freemason temple variant, the Plainfield Masonic Temple, in Plainfield, New Jersey, designed by John E Minott in 1927.

The following individuals, students of the Ecole des Beaux-Arts architecture, are identified as creating work characteristic of the Beaux-Arts architecture style within the United States:.