19 Facts About Beaux-Arts style

Beaux-Arts style evolved from the French classicism of the Style Louis XIV, and then French neoclassicism beginning with Style Louis XV and Style Louis XVI.

The style of instruction that produced Beaux-Arts architecture continued without major interruption until 1968.

Beaux-Arts style heavily influenced the architecture of the United States in the period from 1880 to 1920.

Beaux-Arts style training made great use of agrafes, clasps that link one architectural detail to another; to interpenetration of forms, a Baroque habit; to "speaking architecture" in which supposed appropriateness of symbolism could be taken to literal-minded extremes.

Beaux-Arts style training emphasized the production of quick conceptual sketches, highly finished perspective presentation drawings, close attention to the program, and knowledgeable detailing.

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Beaux-Arts style building decoration presenting images of the Roman goddesses Pomona and Diana.

Beaux-Arts style architecture depended on sculptural decoration along conservative modern lines, employing French and Italian Baroque and Rococo formulas combined with an impressionistic finish and realism.

Since Leopold was the grandson of Louis Philippe I of France, he loved this specific building Beaux-Arts style which is similar to and has its roots in the architecture that has been realized in the 17th and 18th century for the French crown.

Germany is one of the countries where the Beaux-Arts style was well received, along with Baroque Revival architecture.

The Beaux-Arts style was especially popular and most prominently featured in the now non-existent region of Prussia during the German Empire.

The National Bank of Romania Palace on Strada Lipscani, built between 1883 and 1885 is a good example of this Beaux-Arts style, decorated not just with columns, but with allegorical statues placed in niches, that depict Agriculture, Industry, Commerce and Justice.

Beaux-Arts style was very prominent in public buildings in Canada in the early 20th century.

Beaux-Arts style architecture had a strong influence on architecture in the United States because of the many prominent American architects who studied at the Ecole des Beaux-Arts style, including Henry Hobson Richardson, John Galen Howard, Daniel Burnham, and Louis Sullivan.

Richardson evolved a highly personal Beaux-Arts style freed of historicism that was influential in early Modernism.

Beaux-Arts style city planning, with its Baroque insistence on vistas punctuated by symmetry, eye-catching monuments, axial avenues, uniform cornice heights, a harmonious "ensemble, " and a somewhat theatrical nobility and accessible charm, embraced ideals that the ensuing Modernist movement decried or just dismissed.

The first American university to institute a Beaux-Arts style curriculum is the Massachusetts Institute of Technology in 1893, when the French architect Constant-Desire Despradelle was brought to MIT to teach.

The Beaux-Arts style curriculum was begun at Columbia University, the University of Pennsylvania, and elsewhere.

Cincinnati has a number of notable Beaux-Arts style buildings, including the Hamilton County Memorial Building in the Over-the-Rhine neighborhood, and the former East End Carnegie library in the Columbia-Tusculum neighborhood.

An ecclesiastical variant on the Beaux-Arts style is Minneapolis' Basilica of St Mary, the first basilica in the United States, which was designed by Franco-American architect Emmanuel Louis Masqueray and opened in 1914, and a Freemason temple variant, the Plainfield Masonic Temple, in Plainfield, New Jersey, designed by John E Minott in 1927.