Hans Knappertsbusch was a German conductor, best known for his performances of the music of Wagner, Bruckner and Richard Strauss.
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Hans Knappertsbusch was a German conductor, best known for his performances of the music of Wagner, Bruckner and Richard Strauss.
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Hans Knappertsbusch followed the traditional route for an aspiring conductor in Germany in the early 20th century, starting as a musical assistant and progressing to increasingly senior conducting posts.
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Hans Knappertsbusch died at the age of 77, following a bad fall the previous year.
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Hans Knappertsbusch was born in Elberfeld, today's Wuppertal, on 12 March 1888, the second son of a manufacturer, Gustav Hans Knappertsbusch, and his wife Julie, nee Wiegand.
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Hans Knappertsbusch's parents did not approve of his aspirations to a musical career, and he was sent to study philosophy at Bonn University.
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Hans Knappertsbusch began his career with a conducting post in Elberfeld.
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When Bruno Walter left Munich for New York in 1922, Hans Knappertsbusch succeeded him as general music director of the Bavarian State Orchestra and the Bavarian State Opera.
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Hans Knappertsbusch invited guest conductors such as Richard Strauss and Sir Thomas Beecham, and won high praise for his own conducting.
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Hans Knappertsbusch guest-conducted in Budapest, and at Covent Garden, London.
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Hans Knappertsbusch declined an invitation to conduct at the Metropolitan Opera in New York, but has appeared as a guest artist in Vienna and elsewhere, and became a pillar of the Bayreuth Festival.
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Hans Knappertsbusch conducted the first performances of Der Ring des Nibelungen at the festival's post-war reopening in 1951.
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Hans Knappertsbusch was outspoken in his dislike of Wieland Wagner's frugal and minimalist productions, but returned to the festival most years for the rest of his life.
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Hans Knappertsbusch was most associated there with Parsifal: of his 95 appearances at Bayreuth, 55 of them were conducting it.
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Hans Knappertsbusch returned to the Bavarian State Opera in 1954, and continued to conduct there for the rest of his life.
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In 1964 Hans Knappertsbusch had a bad fall, from which he never fully recovered.
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Hans Knappertsbusch, known familiarly as "Kna", was described as a ruppiger Humanist .
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Hans Knappertsbusch was capable of ferocious tirades in rehearsal – usually at singers: he got on much better with orchestras.
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Hans Knappertsbusch did not take the gramophone as seriously as some of his colleagues did.
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Some of Hans Knappertsbusch's best-received recordings were made during live performances at Bayreuth in the 1950s and 1960s.
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