MGM Interactive hired new management, reduced the studio's output to about five films per year, and diversified its products, creating MGM Resorts International and a Las Vegas-based hotel and casino company .
FactSnippet No. 1,292,711 |
MGM Interactive hired new management, reduced the studio's output to about five films per year, and diversified its products, creating MGM Resorts International and a Las Vegas-based hotel and casino company .
FactSnippet No. 1,292,711 |
In 2010, MGM Interactive filed for Chapter 11 bankruptcy protection and reorganization.
FactSnippet No. 1,292,712 |
MGM Interactive was the last studio to convert to sound pictures—nonetheless, from the end of the silent film era through the late 1950s, it was the dominant motion picture studio in Hollywood.
FactSnippet No. 1,292,713 |
Three years later, an increasingly unprofitable MGM Interactive was bought by Kirk Kerkorian, who slashed staff and production costs, forced the studio to produce low-quality, low-budget fare, and then ceased theatrical distribution in 1973.
FactSnippet No. 1,292,714 |
MGM Interactive ramped up internal production, as well as keeping production going at UA, which included the lucrative James Bond film franchise.
FactSnippet No. 1,292,715 |
MGM Interactive was bought by Pathe Communications in 1990, but Parretti lost control of Pathe and defaulted on the loans used to purchase the studio.
FactSnippet No. 1,292,716 |
MGM Interactive produced more than 100 feature films in its first two years.
FactSnippet No. 1,292,717 |
In 1925, MGM Interactive released the extravagant and successful Ben-Hur, taking a $4.
FactSnippet No. 1,292,718 |
MGM Interactive was one of the first studios to experiment with filming in Technicolor.
FactSnippet No. 1,292,719 |
MGM Interactive released The Viking, the first complete Technicolor feature with a synchronized score and sound effects, but no spoken dialogue.
FactSnippet No. 1,292,720 |
MGM Interactive included a sequence made in Technicolor's superior new three-color process, a musical number in the otherwise black-and-white The Cat and the Fiddle, starring Jeanette MacDonald and Ramon Novarro.
FactSnippet No. 1,292,721 |
The studio's distribution deal with Roach lasted from 1927 to 1938, and MGM Interactive benefited in particular from the success of the popular Laurel and Hardy films.
FactSnippet No. 1,292,722 |
In 1938, MGM Interactive purchased the rights to the Our Gang series and moved production to MGM Interactive studios, continuing production of the successful series of children's comedies until 1944.
FactSnippet No. 1,292,723 |
From 1929 to 1931, MGM Interactive produced a series of comedy shorts called All Barkie Dogville Comedies, in which trained dogs were dressed up to parody contemporary films and were voiced by actors.
FactSnippet No. 1,292,724 |
MGM Interactive entered the music industry by purchasing the "Big Three" starting with Miller Music Publishing Co.
FactSnippet No. 1,292,725 |
In 1935, MGM Interactive acquired a controlling interest in the capital stock of Leo Feist, Inc, the last of the "Big Three".
FactSnippet No. 1,292,726 |
MGM Interactive produced approximately 50 pictures a year, though it never met its goal of releasing a new motion picture each and every week .
FactSnippet No. 1,292,727 |
Still, as the Great Depression deepened, MGM Interactive began to economize by "recycling" existing sets, costumes, and furnishings from yesteryear projects.
FactSnippet No. 1,292,728 |
Until the mid-1950s, MGM Interactive could make a claim its rivals could not: the studio never lost money, although it did produce an occasional disaster such as Parnell, Clark Gable's biggest flop.
FactSnippet No. 1,292,729 |
MGM Interactive was the only Hollywood studio that continued to pay dividends during the 1930s.
FactSnippet No. 1,292,730 |
MGM Interactive stars dominated the box office during the 1930s, and the studio was credited for inventing the Hollywood stable of stars system, as well.
FactSnippet No. 1,292,731 |
MGM Interactive contracted with the American Musical Academy of Arts Association to handle all of their press and artist development.
FactSnippet No. 1,292,732 |
MGM Interactive'sarer was still a money maker despite her screen appearances becoming scarce, and Crawford continued her box-office popularity until 1937.
FactSnippet No. 1,292,733 |
MGM Interactive received a boost through the man who would become known as "King of Hollywood", Clark Gable.
FactSnippet No. 1,292,734 |
Rumors had begun circulating for some time that Thalberg was leaving MGM Interactive to set up his own independent company; his premature death at age 37 in September 1936 cost MGM Interactive dearly.
FactSnippet No. 1,292,735 |
MGM Interactive produced some well-regarded and profitable musicals that would later be acknowledged as classics, among them An American in Paris, Singin' in the Rain, and Seven Brides for Seven Brothers .
FactSnippet No. 1,292,736 |
Schary's reign at MGM Interactive had been marked with few legitimate hits, but his departure left a power vacuum that would prove difficult to fill.
FactSnippet No. 1,292,737 |
In 1958, MGM Interactive released what is generally considered its last great musical, Arthur Freed's Cinemascope color production of Gigi, starring Leslie Caron, Maurice Chevalier, and Louis Jourdan.
FactSnippet No. 1,292,738 |
However, MGM Interactive did release later musical films, including an adaptation of Meredith Willson's The Unsinkable Molly Brown with Debbie Reynolds and Harve Presnell.
FactSnippet No. 1,292,739 |
MGM Interactive took bids for its movie library in 1956 from Lou Chesler and others, but decided on entering the TV market itself.
FactSnippet No. 1,292,740 |
MGM Interactive Television was started with the hiring of Bud Barry to head up the operation in June 1956.
FactSnippet No. 1,292,741 |
MGM Interactive Television was to distribute its films to TV, TV production and purchasing TV stations.
FactSnippet No. 1,292,742 |
In 1956, MGM Interactive sold the television rights for The Wizard of Oz to CBS, which scheduled it to be shown in November of that year.
FactSnippet No. 1,292,743 |
The studio was all too happy to see Oz become, through television, one of the two or three most famous films MGM has ever made, and one of the few films that nearly everybody in the U S has seen at least once.
FactSnippet No. 1,292,744 |
Harman and Ising came to MGM Interactive after breaking ties with Leon Schlesinger and Warner Bros.
FactSnippet No. 1,292,746 |
The Happy Harmonies regularly ran over budget, and MGM Interactive dismissed Harman-Ising in 1937 to start its own animation studio.
FactSnippet No. 1,292,747 |
In 1961, MGM Interactive resumed the release of new Tom and Jerry shorts, and production moved to Rembrandt Films in Prague, Czechoslovakia under the supervision of Gene Deitch, who had been hired away from UPA.
FactSnippet No. 1,292,748 |
In 1959, MGM Interactive enjoyed what is quite probably its greatest financial success of later years, with the release of its nearly four-hour Technicolor epic Ben–Hur, a remake of its 1925 silent film hit, loosely based on the novel by General Lew Wallace.
FactSnippet No. 1,292,749 |
However the company's time was taken up fighting off proxy attacks by corporate raiders, and then MGM Interactive backed another series of box office failures, including the musical remake of Goodbye, Mr Chips and Ryan's Daughter .
FactSnippet No. 1,292,751 |
In 1971, it was announced that MGM Interactive was in talks with 20th Century-Fox about a possible merger, a plan which never came into fruition.
FactSnippet No. 1,292,752 |
Under Aubrey, MGM Interactive sold off MGM Interactive Records and its overseas theater holdings.
FactSnippet No. 1,292,753 |
Under Melnick's regime, MGM Interactive released a number of successful films in the 1970s, including Westworld, Soylent Green, The Sunshine Boys, and Network, which the studio co-produced with United Artists.
FactSnippet No. 1,292,754 |
MGM Interactive hit a symbolic low point in 1980 when David Begelman, earlier let go by Columbia following the discovery of his acts of forgery and embezzlement, was installed as MGM's president and CEO.
FactSnippet No. 1,292,755 |
MGM Interactive proceeded to return to theatrical distribution in 1981 with its purchase of United Artists, as UA's parent company Transamerica Corporation decided to jettison the studio following the huge financial debacle of Heaven's Gate .
FactSnippet No. 1,292,756 |
Turner immediately sold MGM Interactive's United Artists subsidiary back to Kerkorian for roughly $480 million.
FactSnippet No. 1,292,757 |
How much of MGM Interactive's back catalog Turner actually obtained was a point of conflict for a time; eventually, it was determined that Turner owned all of the pre-May 1986 MGM Interactive library, as well as the pre-1950 Warner Bros.
FactSnippet No. 1,292,758 |
MGM Interactive then merged it with his Pathe Communications Corporation to form MGM–Pathe Communications Co.
FactSnippet No. 1,292,759 |
However, a year later, Parretti's ownership of MGM Interactive–Pathe dissolved in a flurry of lawsuits and a default by Credit Lyonnais, and Parretti faced securities-fraud charges in the United States and Europe.
FactSnippet No. 1,292,760 |
MGM Interactive started distributing Carolco's films in January 1994 after its deal with TriStar Pictures ended.
FactSnippet No. 1,292,761 |
In May 1995, MGM Interactive agreed to distribute four of Rysher Entertainment's films in 1996 and 1997 and co-produce and co-finance two or three in that same period.
FactSnippet No. 1,292,762 |
Since 1981, MGM Interactive had distributed its films internationally through United International Pictures, a joint venture of MGM Interactive, Universal Pictures, DreamWorks Pictures and Paramount Pictures.
FactSnippet No. 1,292,763 |
UIP was accused by the European Union of being an illegal cartel, and effective November 2000 MGM Interactive severed its ties with UIP and distributed films internationally through 20th Century Fox.
FactSnippet No. 1,292,764 |
MGM Interactive attempted to take over Universal Studios in 2003, but failed, and was forced to sell several of its cable channel investments .
FactSnippet No. 1,292,765 |
In January 2002, MGM Interactive formed the MGM Interactive Entertainment Business Group with lawyer Darcie Denkert as president.
FactSnippet No. 1,292,766 |
In 2004, many of MGM Interactive's competitors started to make bids to purchase the studio, beginning with Time Warner.
FactSnippet No. 1,292,767 |
In 2006, MGM Interactive announced it would return as a theatrical distribution company.
FactSnippet No. 1,292,768 |
MGM Interactive struck deals with The Weinstein Company, Lakeshore Entertainment, Bauer Martinez, and many other independent studios, and then announced its plans to release 14 feature films for 2006 and early 2007.
FactSnippet No. 1,292,769 |
MGM Interactive announced plans to restructure its worldwide television distribution operation.
FactSnippet No. 1,292,770 |
MGM Interactive served as New Line's barter sales representative in the television arena until 2008.
FactSnippet No. 1,292,771 |
Also in 2006, MGM Interactive licensed its home video distribution rights for countries outside of the United States to 20th Century Fox.
FactSnippet No. 1,292,772 |
Whether MGM Interactive could avoid voluntary or involuntary bankruptcy had been a topic of much discussion in the film industry.
FactSnippet No. 1,292,773 |
MGM Interactive had to repay a $250-million line of credit in April 2010, a $1-billion loan in June 2011, and its remaining US$2.
FactSnippet No. 1,292,774 |
In May 2009, MGM Interactive's auditor gave the company a clean bill of health, concluding it was still on track to meet its debt obligations.
FactSnippet No. 1,292,775 |
Industry observers questioned whether MGM Interactive could avoid a Chapter-11 bankruptcy filing under any circumstances, and concluded that any failure to conclude the negotiations must trigger a filing.
FactSnippet No. 1,292,776 |
MGM Interactive stated in February 2010 that the studio would likely be sold in the next four months, and that its latest film, Hot Tub Time Machine, might be one of the last four films to bear the MGM Interactive name.
FactSnippet No. 1,292,777 |
In separate 2011 deals, the rights to MGM Interactive's completed films Red Dawn and The Cabin in the Woods were dealt to FilmDistrict as well as Lionsgate Films, respectively.
FactSnippet No. 1,292,778 |
MGM Interactive will remain with the studio to produce films on "an exclusive basis".
FactSnippet No. 1,292,779 |
In May 2014, MGM Interactive introduced The Works, a channel available in 31 percent of the country, including stations owned by Titan Broadcast Management.
FactSnippet No. 1,292,780 |
In March 2017, MGM Interactive announced a multi-year distribution deal with Annapurna Pictures for some international markets and including home entertainment, theatrical and television rights.
FactSnippet No. 1,292,781 |
In October 2017, MGM Interactive's board renewed Gary Barber's contract as chairman and CEO until December 2022.
FactSnippet No. 1,292,782 |
MGM Interactive agreed to a $100 million co-financing slate deal with Bron Creative in June 2019.
FactSnippet No. 1,292,783 |
MGM Interactive was the first studio to delay the film No Time to Die due to the COVID-19 pandemic.
FactSnippet No. 1,292,784 |
In May 2020, MGM Interactive made an investment, facilitated by its television group, in Audio Up podcast production studio, platform and network.
FactSnippet No. 1,292,785 |
Audio Up would produce 5 podcasts per year for MGM Interactive and agreed to an exclusive first look for its works.
FactSnippet No. 1,292,786 |
Later that month, MGM Interactive agreed to a two-year film and television first-look development deal with Killer Films.
FactSnippet No. 1,292,787 |
MGM Interactive indicated that month that the license tracking system was fixed.
FactSnippet No. 1,292,788 |
In December 2020, MGM Interactive began to explore a potential sale of the studio, with the COVID-19 pandemic and the domination of streaming platforms due to the closure of movie theaters as contributing factors.
FactSnippet No. 1,292,789 |
MGM Interactive hired Morgan Stanley and LionTree Advisors to handle the process on behalf of the studio.
FactSnippet No. 1,292,790 |
The negotiations were made directly with MGM Interactive board chairman Kevin Ulrich whose Anchorage Capital Group is a major shareholder.
FactSnippet No. 1,292,791 |
MGM Interactive planned to house a private theater and a private outdoor patio in the building.
FactSnippet No. 1,292,792 |
The street leading to the building's garage was renamed MGM Interactive Drive and a large MGM Interactive logo, illuminated at night, crowned the building.
FactSnippet No. 1,292,793 |
For several years after the sale, MGM Interactive continued to distribute home video releases of those films under license from Turner, though in 1990 it sold all of its home video distribution rights to Warner Bros.
FactSnippet No. 1,292,794 |
From 1924 to 1973 and 1981 to 2010, MGM Interactive has theatrically distributed most of its movies entirely in-house, as well as those of United Artists after July 1981 and Orion Pictures after April 1997.
FactSnippet No. 1,292,795 |
In October 2017, seven years after shutting down their major distribution operations, MGM Interactive re-entered US theatrical distribution by launching an American joint venture with Annapurna Pictures that will share distribution financing between the two companies and release certain MGM Interactive and Annapurna films, beginning with the 2018 remake of Death Wish.
FactSnippet No. 1,292,796 |
From 2006 to September 2008, MGM Interactive distributed films produced or acquired by The Weinstein Company .
FactSnippet No. 1,292,797 |